THE WORK IN PROGRESS.
“CHAMPION SOUND”.
CREATION SPIRITS DANCE ON THE SOUNDWAVES OF TIME, PROPELLED BY THE VIBRATIONS OF BRIXTON'S RELENTLESS MUSICAL ENERGY.
INDOOR MURAL, PIANOHOSE, BRIXTON. 2021.
2021.
“LIQUID CARBON”.
A DIGITISED COLLAGE PRINTED ON MIRRORED ALUMINIUM. COMMISSIONED BY THE NATIONAL MARITIME MUSEUM. THE COMPOSITE ARTWORK BUILDS UPON MOTIFS OF BLOOD, CULTURE AND MEMORY TO RE-HISTORIFY INCIDENTS OF RESISTANCE IN THE ATLANTIC OCEAN’S MIDDLE PASSAGE. LIQUID CARBON CONTEMPLATES HOW THE RIPPLES OF HISTORY RETURN TO MEET US IN THE FUTURE.
2021.
“TUSCAN OIL”.
DRAWING YEAR OIL PAINTING RESIDENCY AND EXHIBITION IN BORGO PIGNANO, TUSCANY.
2019.
‘TIME CAPSULE’.
MURAL BACKDROP FOR DECOLONISE THE ARCHIVE'S PERFORMANCE OF ‘WINDRUSH TIME CAPSULE’ PLAY. RESIDENCY AND EXHIBITION AT LEWISHAM ARTHOUSE.
2019.
‘LEAVING THE WOMB’.
SOLO EXHIBITION AT SOMETHING GALLERY, HONOR OAK, SOUTH EAST LONDON.
2018.
“A GREAT BRITISH SCANDAL”.
PUBLIC MURAL IN LEWISHAM BY DEANIO X AND NATHAN BOWEN. ARTWORK REFERENCES THE UK GOVERNMENT’S BETRAYAL OF FORMERLY COLONISED/COMMONWEALTH COMMUNITIES, WHO DESPITE SUSTAINED CONTRIBUTIONS TO BRITISH CULTURE AND ECONOMY, FACE UNDUE DISCRIMINATORY ACTIONS FROM THE HOME OFFICE, INCLUDING ILLEGAL DEPORTATION. ACQUIRED BY THE NATIONAL MARITIME MUSEUM.
2018.